Kim Keever’s elaborate method produces remarkable results. This, from a statement at Denver’s David B. Smith Gallery: “Kim Keever’s large-scale photographs are created by meticulously constructing miniature topographies in a 200-gallon tank, which is then filled with water.”
Then, SNAP! Andrew and I both jumped as all of the cameras shuttered simultaneously. That was it: quick and painless. I took my turn in the chair, and remained unphased as the simul-shutter snapped my photo….later that night, I had a 3D model of my head swirling around on my iPhone screen.
A liquid lens is pretty much exactly what it sounds like. The really cool thing about them is that, though they have no moving parts (unless you count the liquid itself), they can achieve a pretty wide range of dynamically-variable focal lengths over a relatively short optical path. When I first read about them, the killer app was supposedly going to be phone cameras.
German inventor Julius von Bismarck refers to his potentially very disruptive brainchild as an “image fulgarator.” The verb, “fulgurate,” means, “to flash or dart like lightening.” According to Herr von Bismarck, himself, it works like this…
I’m proud to announce that my book, Making Things See: 3D Vision with Kinect, Processing, and Arduino, is now available from O’Reilly. You can buy the book through O’Reilly’s Early Release program here. The Early Release program lets us get the book out to you while O’Reilly’s still editing and designing it and I’m still finishing up the last chapters. If you buy it now, you’ll get the preface and the first two chapters immediately and then you’ll be notified as additional chapters are finished and you’ll be able to download them for free until you have the final book. This way you get the immediate access to the book and I get your early feedback to help me find mistakes and improve it before final publication.
LA Photographer Eric Curry’s series “American Pride and Passion” is just beautiful. Each piece is achieved using a very simple technique: The scene is staged in darkness, a camera positioned to record it, and different parts individually illuminated—say, with a flashlight—while a long exposure is recorded. The many resulting images are composited in appropriate software, and with considerable artistry, to create the glowing, ethereally-lit finished pieces.
Many of you will probably have seen this one from late August, already. I haven’t found any indication that Mr. Munroe has actually done this, yet, but there’s no reason the idea shouldn’t work, in principle. To do so requires a viewer with an individually addressable video display for each eye, but these are not too hard to come by. And large-parallax static stereograms taken using widely-separated synchronized cameras are well known.
