Each face of “DodecaHedron of Dragons II” by California artist Scott Van Note is identically patterned, hand-carved on a pentagonal tiling designed by Scott himself. I had the pleasure of meeting Scott at BAMF 2011, where he was helping out at the Explorable Microscopy booth. We started talking, and he handed me this amazing object. I caught up with him, after the Faire, and got him to answer a few questions about it.
Maurice Connolly built a 300 lb steel sculpture and dropped it off a cliff. He pitted his art against gravity, just to see what would happen. The piece is a massive sphere called Ganymede- constructed from recycled wine barrel hoops and hundreds and hundreds of bolts. Once Maurice mastered the material and perfected the form, […]
Brooklyn artist Daniel Bejar made a copy of the key to his apartment (hopefully not his current one, because there’s software out there that can reverse-engineer it from the photograph). Then he made a copy of the copy. And then he repeated the process, by my count, 67 times. At which point the copy was an uncut blank. It’s kind of like I Am Sitting In a Room, but with keys. [via Boing Boing]
Over on CRAFT, Katie Wilson has some exclusive comments from Oakland artist Shawn HibmaCronan, whose mechanical sculpture “The Press” is on display at Terminal 2 of the San Francisco International Airport until 2021. I’m guessing the lawyers put a rope around it when they saw those big potentially-finger-crushing gears, but Shawn talks about how important it was to design the mechanism to be operated by a single person. So it’d be cool if they actually let people operate it.
“His works look like randomly-generated parts for high-performance machines that don’t work in our universe.”
We have actually covered the work of British hubcap sculptor Ptolemy Elrington a couple times before (see below), but I couldn’t resist posting again when I saw this viperfish sculpture, which appears among others in a gallery at The Telegraph.
My thought for the day? Viperfish are awesome. That is all.
This video from sculptor Seth Goldstein shows one cycle of the operation of his piece Why Knot?, which is described as “[a] kinetic sculpture that continually ties and unties a necktie.” While the video leaves me just a bit dubious about how long it could really run without human intervention, I’m impressed by the dedication, effort, and patience required to get it to work even once. [via Dug North]
